Our approach is built around a single visual pipeline: shaping the image, refining every element, and maintaining consistency across live-action footage, VFX, graphics, synthetic imagery, and final masters.
Color Grading
Creative color grading for commercials, films, television, music videos, and premium visual content.
We work closely with directors, cinematographers, agencies, and production teams to define the visual language of each project, whether the direction is natural, cinematic, graphic, or highly stylised.
Sessions are available in the studio, remotely, or through a combination of supervised and asynchronous review.
Online and Image Finishing
ColorCraft can carry projects beyond grading into final image assembly and delivery.
Our online and finishing workflow can include conform and timeline verification, VFX and graphics integration, shot replacements and version management, cleanup and image repair, beauty work and selective retouching, reframing and format adaptation, final online assembly, quality control, and mastering.
Keeping grading and finishing within one connected workflow helps preserve creative intent and prevents the image from being fragmented across separate stages of post.
Hybrid Image Finishing
Hybrid Image Finishing is designed for projects that need more after the shoot: missing inserts, stronger product moments, moving campaign imagery, extended environments, additional visual material or a hero shot that might otherwise require a reshoot or larger VFX build.
Depending on the image, we combine live-action footage, synthetic generation, CG, matte painting, controlled animation, compositing, cleanup and traditional finishing. The balance of techniques is shaped around the needs of each shot, with greater control applied wherever product accuracy, geometry, reflections, camera movement or physical realism demand it.
Selected directions are tested inside the edit before the strongest option moves through integration, color matching, texture, realism work and final finishing.
The result is not raw generated content, but finished production material designed to belong naturally inside the film: fewer disconnected vendors, more ambitious visual possibilities and one team responsible for the final image.
Look Development and Color Pipeline
We develop project-specific looks and color pipelines that carry a consistent visual direction from production through editorial, VFX, grading, and final delivery.
Using camera tests, references, selected scenes, or early cuts, we can establish the visual language of the project and create custom LUTs or look tools for on-set monitoring, editorial, VFX review, and final grading.
Each pipeline is built around the intended cameras, color spaces, display environments, and delivery requirements, helping the image remain coherent across every stage of production and post.
Remote Collaboration
All core services can be delivered through live or asynchronous remote workflows.
Directors, cinematographers, agencies, and production teams can join supervised sessions in real time, review graded versions securely, or work through structured feedback rounds across different locations and time zones.
Learn more about Remote Grading
Mastering and Delivery
Final masters can be prepared for broadcast, digital, cinema, festival, social, and archival use.
We confirm technical requirements at the beginning of the project, including resolution, color space, codec, frame rate, audio layout, subtitles, versioning, and platform specifications.
